That includes proofing with colleagues or clients, who likely have a wide range of devices, from phones to tablets, to computers, and if they're not all from Apple or all recently recalibrated as well, the aberrations and variances in display technology alone will be far more than simple True Tone temperature matching. That's the only situation where you absolutely don't want True Tone on. Not unless and until you're in a perfectly lit studio, have broken out your spider to ensure perfect calibration, and are ready to do final color correction on your work. Turn True Tone on and don't worry about it. I've also edited more than my fair share of photos and videos, and so here's my recommendation:
I've spoken to several pro photographers and videographers and opinions really do vary.
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